Communication Contents in the Visual Composition of the Symbolic Diversity of Pottery from the Pasto de la Fase Cuasmal People / Tuza del Cantón Montúfar

Abstract

This research establishes the communicational diversity in the art contents of the original peoples in the territory of Ecuador, specifically in the iconography of the Pasto culture ceramics in its Cuasmal Tuza phase in Montúfar, which together with the contemporary manifestations of visual artists Committed to a culture of their own, they show an intercultural communication system. In addition, Pasto people make visible through the years a ceramic with graphic methodology to share the worldview of that time. Plastic practicality conceived from the abstraction and simplification of the idea or the form represented. At present the research is more rigorous and the graphic foundations of this culture vary according to the theoretical dimension, as well as the multiplicity of thought conceived from areas of social, artistic, political and cultural character. That is why this study raises a theoretical hybridization between art as a point of creation through origin and intercultural communication as an anchor for the understanding of the transmission of knowledge and knowings of an itinerant quality. In this way, insisting on revitalizing the ancestor cultures establishes the interculturality between the past and the present time. It is necessary to understand a culture that walks stealthily, evolves and communicates the dialogues of each era, suitable for a development and social symbolic metamorphosis, through the expressions of a communicating humanity that transcends with its visual ingenuity.